Set on an English shore less than typically idyllic against the impending Nazi blitz, a child is evacuated from London and lodged with Alice

Set on an English shore less than typically idyllic against the impending Nazi blitz, a child is evacuated from London and lodged with Alice
Moving a piece doesn’t matter if you don’t know what’s behind it
Borat hasn’t aged well of it’s own accord
You’re going to hear a lot about how Rebecca is both very alike and never as good as Alfred Hitchcock’s adaptation. They’re not wrong, but that misses the important things
There’s bad, there’s good, and there’s Eurovision
It’s the mark of a great thriller when it hits the most well-worn horror tropes and you barely notice, nor care at all
Those famous aren’t always known for their greatest achievements
You’re going to hear a lot about how Queen & Slim is a lot like other movies, except it’s not
First thing’s first; H.G. Wells this is not
Very possibly Adam Sandler’s best turn, he’s far from alone
It was weird
He’s back. No Eddie Murphy never actually went away, but he’s definitely back
Better situated in theatre, Anthony Hopkins’ and Jonathan Pryce’s effective duologue suggests an affectionate rapport between (respectively) Pope Benedict XVI and, be it 2012, Cardinal Jorge Bergoglio; later Pope Francis
Sounding vaguely like English and very much like Guy Ritchie, the Director’s latest comes very fresh off his first foray into Agrabah
There’s something really important (mostly) missing from A Hidden Life; peculiar for a film with so much
The novelty and talking point of the Oscar front-runner being cinematographer Roger Deakins’ powerful gauntlet throw…
You probably know the story, and if you don’t The Report really, really thinks you should
I’m supposed to talk about Bad Boys for Life, and we’ll get there
The problem with ‘Jojo Rabbit’ isn’t that it’s offensive. It isn’t offensive, it’s just that it’s not especially good