It’s fine. It’s nothing to get excited about, but it’s fine.
It’s fine. It’s nothing to get excited about, but it’s fine.
Everyone knows Jordan Peele wants to hold up a mirror to society; no one thought he’d take it so literally. Us, more than most films this year, will suffer from the weight of expectation. Get […]
Recounting lesser-known events and their reasons for obscurity in the life of Massachusetts poet Emily Dickinson (Molly Shannon), Wild Nights With Emily takes a few less than conventional approaches
This author has never before written a second review for any film. But then there’s Magic Mike XXL
One would do well to discover this gem
A rare deed of terrible filmmaking emerging from a unique combination of guileless over-confidence and frightful neglect, Polar is one to scroll past
Many have and will talk about what Glass is. More important is what it isn’t. Glass, nor it’s quintessential precursors Unbreakable or Split, are concerned with the cavalcade or canon of superhero behemoths to dominate […]
‘Art is dangerous,’ at least to this author, remains one of the most frustratingly adapted, frequently used turns of phrase in an industry that as Velvet Buzzsaw entreaties can become obsessed with itself. Artists are […]
“It is an exciting time in Indigenous filmmaking as we see a range of new film opportunities growing around the world for Indigenous filmmakers and we can’t wait to bring some of the films to […]
In a year saturated with Spider-Man and Marvel a film with conceivably the worst timing shows you that quality can and will trump all. Spider-Man: Into The Spider-Verse is one of those few films that […]
This author has only ever seen one film twice during a single Festival run. That was Bodied. Bodied will very likely will be the standard-bearer and standard for its particular subgenre of satire and comedy that […]
Widows is a film that takes itself very seriously. That’s fine; dramas, and heist thrillers at that, can take themselves as seriously as they want, provided there aren’t getaway car-sized holes in the plot. The […]
The Sinner is quickly becoming one of the best thrillers on US television – even if the second season isn’t quite a match for the first. Benefiting greatly from star Jessica Biel, here returning off-screen […]
Psychological thrillers are best when they’re relatable and (hopefully) original. ‘Cam’ ticks both boxes with camgirl Alice (Madeline Brewer from “The Handmaid’s Tale”) aka Lola facing the existential dread of being locked out of her […]
For a movie that ticks all the boxes Creed II is a huge miscalculation. An engaging one if that, the sequel is something more akin to (while somewhat loathe to use this comparison) what The […]
For such a well known actress, Melissa McCarthy is strangely underrated. Flexing her considerable comic and dramatic chops as early as those first seasons of Gilmore Girls to later find broader fame with Bridesmaids and […]
Roma deserves to be seen on the big screen – do yourself a favour and see it before it hits Netflix, and then see it again. The streaming platform have done well with this acquisition […]
“Paracinema as a style of and approach to cinema has always been about climbing over boundaries to see what is on the other side, always obsessed with ferreting out oddities and unique films that show […]
A contender for one of the worst films of the year, look elsewhere than Anna and the Apocalypse. A small Welsh town, an encroaching Christmas; carols, families, seasons greetings and a horde of the undead. […]
Some collaborations from an amazing, hectic, wonderful weekend of filmmaking at Kino Sydney Kabaret! House of Game of Cards Endless Rainbow Road Arachnophobia Run Underneath https://www.youtube.com/watch?v=8AwM9Tn8tOA A Kabaret […]