Where we chat ‘Our Law’ with Director Cornel Ozies which has its World Premiere today as part of Sydney Film Festival 2020 + all things virtual Sydney Film Festival, ‘Resistance’ and Australian Film Festival, cinema & movie updates

Where we chat ‘Our Law’ with Director Cornel Ozies which has its World Premiere today as part of Sydney Film Festival 2020 + all things virtual Sydney Film Festival, ‘Resistance’ and Australian Film Festival, cinema & movie updates
Where we head fight about our favourite Peter Weir flicks in our biggest episode yet
“Hopefully this project will provide opportunities for our directors and to dispel the myth that women only make one kind of horror or that they aren’t interested in the genre”
The most terrifying thing about film is that it’s all already happened
Where we chat with Sydney Latin American Film Festival Programmer Gisselle Gallego and recap Jennifer Kent’s newest feature – Wednesdays 7:30PM on 2SER and subscribe to the podcast on iTunes & Spotify! See here for Muralla review
It’s a strange thing to say that something is deceptively good
“Five wickedly twisted tales from the next generation of Aboriginal Writer/Directors all looking at the post-colonial Aboriginal experience through the horror genre”
Everyone involved in this movie wants you to like it, so, so much
Standing Up For Sonny is about Travis who is really reluctant to have a life and ends up getting a roommate who forces him to get out
“Animals is about two women around their early thirties and figuring out whether can continue to party and live together and be wild or whether there’s something else they want in life.” “I love Dublin […]
Where we chat with Sydney Film Festival Director Nashen Moodley and fight about our favourite flicks + highlights from the (very) recently launched #SydFilmFest program with resident 2SER cinephile Stephen Hill
Where we fight about Ethan Hawke behind and in front of the camera, giant sharks that should have remained extinct, rich folk who are both crazy and Asian, the latest Australian fare and […]
Upgrade is a B-Movie and when the audience and the film itself embraces this, everyone is going to have a lot of fun. Set in semi-futuristic USA, Grey (Logan Marshall-Green), paralysed following a freak attack […]
Cargo is every emerging filmmaker’s dream. A short, lauded at Tropfest, captures studio eyes with a premise more than worthy of a fully funded feature, here adapted to thrilling if flawed effect. Taking over as […]
Sometimes it’s never too early to reckon a film has the makings of a classic. Sweet Country’s setting may be of a time and place yet it is a film that figures well beyond it’s […]
“With low budget films you have to really offer people an experience to see it in the cinema – Killing Ground delivers that kind of visceral experience that really gets people talking.” Aussie filmmaker Damien […]
Where we fight about the third chapter in Taylor Sheridan’s frontier trilogy, breakout Aussie comedy and Festival hit ‘That’s Not Me’ and all the latest from the Melbourne International Film Festival for Film […]
‘Watch The Sunset’ Producer and Director of Photography Damien Lipp on what it takes to capture a film in one-shot “Watch The Sunset is Australia’s first one-take feature film… it’s basically shot over an […]
Fixing on a great idea or something you haven’t seen before isn’t easy – watching any flick is that much better when you know the filmmakers have floored their premise. Home-grown Aussie sci-fi OtherLife asks […]
“We distinctly set it in Perth, we set it in Australia, it is now an Australian story, we took the very broad concept that was the novel and did quite a lot of […]
It’s one thing to be knocked off your feet by a top horror flick, it’s another entirely to find out they shot it down the road from your childhood home. Set in a quiet suburban […]