You’re going to hear a lot about how Queen & Slim is a lot like other movies, except it’s not
You’re going to hear a lot about how Queen & Slim is a lot like other movies, except it’s not
The only thing more satisfying than seeing France beat England in the Rugby is finding a bunch of people very happy it
Where we address a dress, wade in with Mark Ruffalo, see if Sonic blue it, chat the Hyperlinks weekend that was and the impact of Coronavirus on the film and Festival circuit
Where we chat all things Fantastic Film Festival Australia with Festival Director Hudson Sowada, look through The Invisible Man (in cinemas tomorrow) and take a trip with Dan Radcliffe
First thing’s first; H.G. Wells this is not
“When we started Static Vision, our main goal was to bring out audacious and experimental films that were either too small, too challenging or off-the-radar of Sydney’s general Festival circuit”
“The thing that I found so exciting about programming the festival was that for a film to be a piece of fantastic cinema it doesn’t need to align with any conventional festival criteria”
Where we chat all things Hyperlinks with Static Vision’s Felix Hubble and a new Fest to look forward to this weekend at Pink Flamingo!
Where we fight about gold statues, pearls of Austen, diamonds in the Aussie rough, whatever Lynch has unearthed and uncut, gems with Louise Easson
Very possibly Adam Sandler’s best turn, he’s far from alone
Where we go round the twist with Robert Eggers, learn some Latin, meet the original disaster artist and code-break in our slippers
It was weird
He’s back. No Eddie Murphy never actually went away, but he’s definitely back
Better situated in theatre, Anthony Hopkins’ and Jonathan Pryce’s effective duologue suggests an affectionate rapport between (respectively) Pope Benedict XVI and, be it 2012, Cardinal Jorge Bergoglio; later Pope Francis
Sounding vaguely like English and very much like Guy Ritchie, the Director’s latest comes very fresh off his first foray into Agrabah
Where we Malick, Mendes, Ritchie, Heller and Roach
Where we fight about our favourite double, Little Women and Bad Boys, are Sorry We Missed You over the summer, share some Truth, spend a few minutes on the Oscars and spoil the hell out of the new Star War
There’s something really important (mostly) missing from A Hidden Life; peculiar for a film with so much
The novelty and talking point of the Oscar front-runner being cinematographer Roger Deakins’ powerful gauntlet throw…
You probably know the story, and if you don’t The Report really, really thinks you should