Where we care a lot about movies

Where we care a lot about movies
Where we chat all things Sydney Film Festival Animation Prize Winner GNT ahead of the Sundance Premiere with filmmakers Sara Hirner & Rosemary Vasquez-Brown + fight about Ramin Bahrani’s ‘The White Tiger’
Where we fight about the Sydney Film Festival Summer Session and kick off the year with Minari & Another Round
Where we fight about Ron Howard’s Ohio, Kristen Stewart’s Christmas and Christopher Nolan’s Worst Timeline
Where we fight all things new releases in an episode that isn’t nearly as depressing as it sounds
There’s a lot to unpack here. Most of this is frustrating, for both the matters on which this author agrees with the Sydney Film Festival’s champions and that on which I diverge
Where we fight all things Netflix, the new Rachel McAdams movie & documentary Athlete A
Where we wrap on a wrapped #SFF, discuss all things Joel Schumacher & the late Director’s filmography + review the new Spike Lee Joint
“The response from our audience has been fantastic, we’ve seen a real appetite for film.”
Where we fight all things Sydney Film Festival 2020, ‘Kids Run,’ ‘Charter,’ ‘Sea Fever,’ Cinemas Re-Opening and the latest Oscars’ about-turn
Where we fight all things Sydney Film Festival Virtual Program Launch 2020, imagine what the Snyder Cut version of Film Fight Club would look like and fly off with Issa Rae & Kumail Nanjiani
Where we dive into the minds of many John Malkoviches
Where we fight (almost) all things Billy Wilder and zero in on Sunset Boulevard, Ace in the Hole and The Apartment
“It’s a wonderful opportunity for our audience to engage with the culture of these Festivals”
The most terrifying thing about film is that it’s all already happened
Kursk doesn’t want you to remember the actual disaster too closely, just some of its fallout. This week’s thriller is based on the disappearance of Russia’s titular submarine and it’s 118 personnel 19 years past. […]
Joyous, littered with great performers and frequently unimaginative, Booksmart deserves to be seen even if it’s but patches of what came before
Where we fight about possibly the best film of the year and a film that looks as though it’s here to stay with Lisa Malouf from The Limerick Review
One rarely expects a film as good as ‘Portrait of a Lady on Fire’ to come along and we are always glad when it does.
A solid premise matters little when the execution can barely match it
“It’s a story about Martin taking a big look at his life after a dire medical diagnosis that forced some real change… when I walked into his life I was dropped into a place where […]