Where we fight about Melbourne International Film Festival offerings ‘Freshman Year,’ ‘The Girl and the Spider,’ ‘The Witches of the Orient,’ ‘What Do We See When We Look at the Sky’ and choices facing Film Festivals right now

Where we fight about Melbourne International Film Festival offerings ‘Freshman Year,’ ‘The Girl and the Spider,’ ‘The Witches of the Orient,’ ‘What Do We See When We Look at the Sky’ and choices facing Film Festivals right now
There’s a strange contradiction to Film Festivals endemic to their very existence
Where we fight about the Melbourne International and Sydney Film Festivals’ different approaches in light of COVID-19, Disney versus its stars and Kate Beckinsale versus bad screenwriting
“It’s frustrating although not entirely unexpected to have to move our event around”
Where we fight about good news and bad news on Netflix
Where we care a lot about movies
Where we fight about summer, streaming and cinema with four new releases
Where we cover where cinemas are at, Olivia de Havilland’s legacy and Gone With The Wind
It’s the mark of a great thriller when it hits the most well-worn horror tropes and you barely notice, nor care at all
Where we fight about the changes on George Street, putting on the Ritz at Home & the filmography of Lynn Shelton
Where we dive into the minds of many John Malkoviches
No frogs were harmed in the making of this film. Several cars didn’t fare so well
“We thought it would be a good time to catch up with the team and see how the show is adapting to suit the situation”
Where we fight (almost) all things Billy Wilder and zero in on Sunset Boulevard, Ace in the Hole and The Apartment
“My son turns around to me and says, take it online, go for it”
“The world has never been through a pandemic like this in our lifetime; we want to see what that world looks like from each individual’s perspective”
“It’s a wonderful opportunity for our audience to engage with the culture of these Festivals”
Where we fight all things Tim Burton from Beetlejuice to Big eyes
Talking all things COVID-19 and the impact on the Film Festival circuit and cinema in general (via Zoom) + Come to Daddy, Monos, Happy New Year Colin Burstead and It Must Be Heaven
“This is our contribution to pushing back against COVID-19”
Where we head fight about our favourite Peter Weir flicks in our biggest episode yet
Where we Tardis back to the 30’s through 50’s to review Scarface, Bringing Up Baby, His Girl Friday, The Big Sleep, Gentlemen Prefer Blondes and Rio Bravo