Very few films are ground-breaking in a visual, technical or narrative sense. To manage all three is a rare achievement, though not nearly so remarkable as Alex Honnold

Very few films are ground-breaking in a visual, technical or narrative sense. To manage all three is a rare achievement, though not nearly so remarkable as Alex Honnold
Cargo is every emerging filmmaker’s dream. A short, lauded at Tropfest, captures studio eyes with a premise more than worthy of a fully funded feature, here adapted to thrilling if flawed effect. Taking over as […]
Sometimes it’s never too early to reckon a film has the makings of a classic. Sweet Country’s setting may be of a time and place yet it is a film that figures well beyond it’s […]
Taking painting by numbers to a whole new level – Vincent Van Gogh is fittingly the subject of the first ever fully painted feature film. A panoply of the Dutch master’s works are intermingled throughout […]
Adelaide Film Festival Director Amanda Duthie joins us on the eve of ADL 2017 to chat Cargo, Sweet Country + the Australian & world premieres to take place and where we fight about […]